From Vinyl to Streaming: Economic Sustainability and Globalisation in the Music Industry

Authors

  • Hristo Ivanov, PhD Student Department of Statistics and Econometrics, Faculty of Applied Informatics and Statistics, UNWE image/svg+xml Author

DOI:

https://doi.org/10.37075/RP.2026.3.09

Keywords:

Cultural industries, Income inequality, Carbon footprint, Sustainability, Royalty distribution, Globalisation, Streaming economics
L82, D63, Q54

Abstract

This paper examines the transition of the music industry from physical media (vinyl, CD) to digital streaming, with a focus on economic and environmental sustainability. Historically, physical formats offered high margins for labels but generated significant material waste. Streaming has stabilised the global music economy, accounting for 67.3% of recorded music revenue by 2023, yet it has introduced new structural pressures. Economically, the pro-rata royalty model intensifies income inequality, concentrating the majority of royalties among the top 1% of artists, while platforms struggle with persistently high licensing costs and thin margins. Environmentally, the shift replaces material waste with substantial, consumption-dependent energy demands from global data center infrastructure. The analysis concludes that streaming offers macro-level stability, but its long-term sustainability is threatened by creator precarity and escalating energy consumption.

References

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Published

2026-07-30

Issue

Section

Articles

How to Cite

Ivanov, H. (2026). From Vinyl to Streaming: Economic Sustainability and Globalisation in the Music Industry. Research Papers of UNWE, 3, 181-196. https://doi.org/10.37075/RP.2026.3.09